Krantijyoti Vidyalay Marathi Madhyam Review: An Eye-Opener for Those Who Studied in Marathi Medium And Those Who Didn’t

RATING - ⭐ ⭐ ⭐ 3/5*

Krantijyoti Vidyalay Marathi Madhyam Review Movie Talkies:

So yes, I studied in a Marathi medium school—Maharashtra High School in Dadar, Mumbai. That very school has now been converted into an English medium institution. And here I am, writing this entire review in fluent English, just like the 5000+ film reviews I have written till date. Did studying in a Marathi medium school stop me from doing what I do today? Absolutely not. I went on to study Engineering at one of the top colleges in the state and then entered the entertainment media industry purely out of passion. At no point did my Marathi medium background become a hurdle. In fact, I write better than many English medium boys in my field—something they themselves have admitted. Marathi medium education was never a disadvantage. On the contrary, the memories I carry from that school will stay with me forever. I genuinely don’t believe any English medium school could have given me that kind of grounding or emotional wealth.

I would love my son or daughter to study in a Marathi medium school—though that decision is, of course, debatable and subject to my wife’s approval and the availability of such schools today. If you’ve read this far, I’m sure you’ve already understood the entire film in under two minutes. And yes, that’s exactly what Hemant Dhome’s  is all about. I honestly believe I’m among the most eligible people to review this film because of how deeply relatable it is to my own life. Just replace Raigad with Dadar—a core Marathi area of Mumbai. And thank God it wasn’t Colaba, Bandra, Santa Cruz, Versova, Kandivali, or Borivali—otherwise that authentic Marathi medium feel would have been completely missing.

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Krantijyoti Vidyalay Marathi Medium Story:

The film revolves around Krantijyoti Vidyalay, a Marathi medium school on the verge of demolition. The helpless principal recalls his former students to fight against a new landlord who has illegally taken over the land. Around seven to eight students return, but only seven stay until the very end. These students are now settled—some in Raigad, some in urban cities, and some abroad. As they reunite, they revisit their school memories and rediscover the true value of their education and roots. Together, they stand up against the antagonist to save their school.

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At its core, the film addresses the alarming disappearance of Marathi medium schools and their forced transformation into English medium institutions. As the principal aptly says, “Shikshak pagaru zalay ani shikshan bajaru.” That single line sums up the entire context beautifully. There are several other powerful dialogues in the film, but I won’t reveal them here. The film makes a strong social commentary on parents preferring English medium schools over Marathi medium ones—a reality that is uncomfortable but undeniably true. To drive the point home, the film often turns dramatic, which slightly affects its realism. Dhome’s film is not without flaws, but it manages to cover them up by the end. The concluding speech, in particular, is impactful—it doesn’t just make sense, it puts sense into our heads. Why no Marathi medium? I can’t speak for everyone, but I can speak for myself. I am a living example. Look at me and get inspired—that’s what I’d say.

Krantijyoti Vidyalay Marathi Medium succeeds in creating meaningful cinema and definitely deserves attention. Yes, the film drags in parts. The songs are unnecessary, and the visuals at times are irritating. Some overly dramatic sequences dilute the realism and nostalgia. Yet, Dhome comes back strong with his sharp commentary on a socially and emotionally relevant issue. Not every film can be a masterpiece like Sujay Dahake’s Shala (2012), but even attempting to reach halfway there is a victory in my eyes. This film isn’t driven by intellectual nostalgia like Shala; instead, it focuses on modern problems being solved by old generations. That combination gives it a unique identity, even if it’s not extraordinary. Some characters feel overly fictionalised, while others strike a fine balance with cinematic liberty. The most authentic character is Baban, played by Amey Wagh—a local boy, a backbencher, still living in the same area, proudly speaking his mother tongue. That’s pure originality. The rest—ex-lovers’ romance, a runaway couple, an orphan girl—fall into familiar clichés.

Krantijyoti Vidyalay Marathi Medium Cast:

Performances across the board are decent. Kshitee Jog looks dashing; her overly cinematic character finds rhythm once her backstory unfolds. Amey Wagh is a blast as Baban. Prajakta Koli is decent, Siddharth Chandekar looks handsome, Kadambari Kadam convincingly portrays a typical wife and woman, Harish Dudhade does well, Pushkaraj Chirputkar is underwhelming, Anant Jog is once again on point as the villain, and Nirmitee Sawant is fairly okay. Sachin Khedekar suddenly slips into one of his older familiar roles without much reason, but he is absolutely impressive in the final 20 minutes.

Krantijyoti Vidyalay Marathi Medium Movie Review:

Technically, the film fares well, if not exceptionally. The cinematography captures some eye-pleasing moments, though the editing lacks grip in the first half. The locations work, the production design is solid, but the music falls flat and the video songs are simply bad. As I always say, Hemant Dhome can never make something outright bad and he is one a rare director in Marathi Cinema for whom I can say something like this—and he proves me right yet again. Krantijyoti Vidyalay Marathi Medium is clearly close to his heart, and that shows. It occasionally stretches cinematic liberty and goes over the top, but overall, it delivers a satisfying watch. For everyone who studied in a Marathi medium school, this film is a must-watch. And for those who chose English medium over Marathi medium—this one is truly an eye-opener.

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