Kis Kisko Pyaar Karoon 2 Review: A Silly Circus of Secularism & Anti-Feminism

RATING - ⭐ ⭐ 2/5*

Kis Kisko Pyaar Karoon 2 Review Movie Talkies:

Kis Kisko Pyaar Karoon was an unexpected hit, and that surprise success seems to have given the makers the confidence—or rather, the illusion—that a sequel was justified. Viewers had been generous in 2015, choosing to laugh off the flaws, and the makers have taken that goodwill for granted. The result? A cinematic punishment delivered a decade later, and far quicker than most of our real-life systems. Kis Kisko Pyaar Karoon 2 tries to present a humorous take on secularism and marriage but ends up becoming a tone-deaf, shallow film that inadvertently shames feminism and glorifies absurdity. And yes, spoilers ahead—because this film simply doesn’t deserve the courtesy of secrecy.

Kis Kisko Pyaar Karoon 2 Story:

The story follows Mohan Sharma (Kapil Sharma), who wants to marry Saniya (Warina Hussain). Their intercaste relationship faces predictable parental opposition. In an attempt to marry Saniya by altering his religion, Mohan accidentally ends up marrying three different women from three separate communities—Hindu, Muslim, and Christian. He now finds himself living with all three wives, forced to juggle their needs while keeping his multiple marriages a secret. Yet, in the middle of this circus, he still wants to marry Saniya, which would make her his fourth wife. The question is not whether he can escape this mess—it’s whether the audience can endure watching him try.

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The film’s storyline is thin, but the screenplay at least maintains enough pace to keep viewers awake for its two-and-a-half-hour runtime. Unfortunately, speed is the only thing working in its favour. The writing is baffling, regressive, and shockingly careless about the dignity of its female characters. It is astonishing that this script was approved, and even more surprising that many critics have chosen not to call out its problematic lens.

Take, for instance, the Muslim wife who agrees to marry a complete stranger simply because she has been divorced twice. Is her desperation supposed to be funny? Where is her agency or self-respect? Then there’s the Hindu wife, an educated teacher, who marries an unconscious man just to fulfil her father’s dying wish. Are we expected to believe an adult woman with qualifications behaves like a character from a 1980s melodrama? The Christian wife, a well-trained doctor, agrees to marry a stranger because he gave her CPR—shown in a comically inaccurate, medically ridiculous manner. The fourth woman, Saniya, displays the memory and judgement of a “female Ghajini,” instantly forgiving his lies and preparing to marry him even after learning he already has three wives. If this was meant to be farce, it fails. If it was meant to be satire, it misunderstands its own message. If it was meant to be humour, it punches down in the worst ways. The film treats women like props—gullible, naïve, and devoid of emotional or intellectual depth. It’s a script that mocks their intelligence and glorifies deception under the guise of comedy.

And the logical loopholes are endless. How does a muslim wife not recognise her own husband in bed? How do cultural and lifestyle differences—such as the age-old veg vs non-veg clashes—magically disappear? How does a man struggling to manage three wives suddenly have the time to woo a fourth? The film piles absurdity upon absurdity until you begin to question whether the writers themselves were taking the audience seriously. The final twist is equally laughable: yet another woman enters the scenario, lacking self-respect, rationality, or even basic awareness. By the time the credits roll, feminism is not just bent—it is brutally slapped, dragged, and tossed aside.

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Kis Kisko Pyaar Karoon 2 Cast:

Performances offer little redemption. Kapil Sharma looks visibly exhausted, both in appearance and body language. His dialogue delivery carries fatigue rather than comedic flair. Warina Hussain is pleasant to watch but is sidelined by minimal screen time. Tridha Choudhury looks stunning in a saree yet cannot detach from her glamorous persona and gets a solo song for that. Ayesha Khan shows potential but has plenty of room to grow. Parul Gulati fits the visual mould of her character but her behaviour rarely aligns with it. Manjot Singh and Sushant Singh are decent, while Akhilendra Mishra and Vipin Sharma go overboard. The rest of the ensemble barely leaves an impact.

Kis Kisko Pyaar Karoon 2 Movie Review:

Technically, the film is serviceable. The cinematography is fine, the editing is decent except during the dull, unnecessary songs, and the production design meets basic expectations. However, none of these aspects can compensate for the weak foundation. Writer-director Anukalp Goswami struggles to balance humour with coherence. While his direction has a few enjoyable moments, his writing is the film’s biggest failure—outdated, insensitive, and downright careless. In the end, Kis Kisko Pyaar Karoon 2 becomes yet another forced, unnecessary Bollywood sequel—louder, sillier, and far worse than its predecessor. A messy comedy that neither respects its characters nor its audience. If you choose to watch it, be prepared to walk out questioning your own decisions just as much as the characters question none of theirs.

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