Mission Impossible The Final Reckoning sees a HUGE DROP on Monday; Final Destination Better –

Mission Impossible The Final Reckoning Drops on Monday:

Mission Impossible – The Final Reckoning is facing a tough box office journey, with Monday's earnings dropping to approximately ₹5.75 crore nett. While there’s no Friday figure to compare, the dip from Sunday is expected — but coming off just a two-day weekend, the performance is underwhelming for a franchise of this scale. The film had a Saturday release, eating up the Friday business of its own. Now, the fall compared to Saturday is huge. On the other hand, Final Destination Bloodlines held much better despite Thursday release.

The Tom Cruise starter had lukewarm advance bookings in Hindi-speaking regions even before release, and unfortunately, word-of-mouth hasn't turned things around. A major franchise like Mission Impossible requires nationwide traction, not just support from Southern markets, to succeed in India, because the South market usually fall heavily on weekdays.

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At this point, the coveted ₹100 crore milestone seems tough and almost impossible, though upcoming weekends might provide a slight boost. As it stands, the film is heading towards a first-week total of around ₹52–53 crore nett. Unless there's a strong mid-week turnaround, The Final Reckoning may end up being one of the weaker entries in the Mission Impossible series in terms of its Indian box office run.

Below are the collections of Mission Impossible The Final Reckoning in India:

Thursday - ₹16.50 crore

Sunday - ₹17.75 crore

Monday - ₹5.75 crore

Total: ₹40 crore nett approx.

In our review, we wrote:

Mission Impossible The Final Reckoning kicks off with a montage of scenes from past films, hinting that we’re in for a commemorative journey rather than a standalone MI8 installment. The president’s early message comes across as both a respectful homage to Ethan Hunt’s legacy and a plea for help—one that is later conveniently abandoned, as expected. The aerial stunts recall Top Gun (albeit smaller in scale and lacking logic), underwater sequences evoke Pacific Rim or Bond’s biggest hit, Thunderball (1965), with excessive length, and the overarching geopolitics mirror Daniel Craig’s Bond era. This is, by far, the most implausible Mission Impossible film yet. But again, it feels more like a salute to the franchise and Ethan’s journey, and so, there are moments to relish. Still, expecting me to sit through an overlong underwater stretch, a finale featuring Ethan and Gabriel sparring mid-air for 15 minutes as if gravity doesn’t exist, and the inevitable buildup to an all-too-familiar climactic resolve—well, it’s asking too much. We’ve seen too many spy thrillers to be surprised anymore. There’s no need to force drama just to entertain.

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