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The Creator Review
The Creator Review: Gareth Edwards's sci-fi action drama, "The Creator," stars John David Washington, Gemma Chan, and Madeleine Yuna as the leading trio. Edwards is familiar with this genre since he was the main force behind Rogue One: A Star Wars Story (2016) and, to some extent, Godzilla (2014) too. Compared to those two unoriginal films, The Creator is a better original flick by Gareth Edwards. The idea of sci-fi is almost 90 years old, as Hollywood has been making such films since the 1930s, evolved the same in the 1950s, and then came the 1970s to define the new definition. Without taking names, I'd say those have been acclaimed films because whatever they had to offer was new at the time, so the new-age science fiction films today have to be different. Trying to be different, Denis Villeneuve made three sci-fi movies in the last: Arrival (2016), Blade Runner 2049 (2017), and Dune (2021), and there was one common thing in all of them—all films were slow at pace. The engaging and explosive sci-fi like "The Day the Earth Stood Still" (1951) and Star Wars (the first trilogy) are gone now, so we have to get along with these slow burns with more intelligence. The Creator is creatively fascinating but theoretically slow./movietalkies/media/post_attachments/wp-content/uploads/2023/09/the-creator-rev-1.jpg)
Set against the backdrop of the war between AI robots and human races, The Creator tells the story of Joshua (John David Washington), an ex-special forces agent. He is married to Maya (Gemma Chan), and they are expecting their first child. An attack by the Nomads parts them away, and Joshua is left grieving the disappearance of his wife. Five years later, he is recruited to hunt down and destroy a mysterious weapon that has the power to end the war as well as mankind. In the AI-occupied territory, Joshua meets a young child, Alphie (Madeleine Yuna Voyles), who is later recognised as the weapon he's looking for. Unable to kill the child and hoping to find Maya, Joshua starts his own journey, taking the child along with him.
The Creator Review
The Creator manages to deal with the futuristic idea very well, without much artificial stuff in the writing. But yes, the AI does empower the majority of its visual set-up. The screenplay by Edwards and Chris Weitz is slightly above two hours, but still feels like two and a half hours. That's because it's too slow in the middle portion, and the plot walks like it's in sleep mode. You'll see some of those old cliches in between, especially the climax. That love story, child, reconciliation, and emotional family drama—everything makes up for an ordinary watch, while the creative offering of the film was extraordinary. That's a mismatch, and that's what hurts the film most.
With all due respect to every artist, The Creator is all about John David Washington. That comes by default because he is the main protagonist, but I meant performance-wise too. Washington is damn impressive in the role of Joshua, be it in action scenes, dramatic segments, or emotional ones. It might come as a shock to you that the second most impactful performance comes from a child. Yes, it's true. Madeleine Voyles made it true. I can get enough of that emotional scene of his with Joshua—the way he looks out the window, the way he cries, and the reluctantly emotional smile in the ending frame. Gemma Chan has done a decent job with the restricted character. Allison Janney makes for a solid female antagonist, while Ken Watanabe does well in the supporting role. Sturgill Simpson, Ralph Ineson, Marc Menchacaz, and Veronica Ngo pass the time with refined appearances.
The Creator Review
A sci-fi epic with an AI theme gotto be technically amazing. The Creator finds almost everything right, except the background score and the editing. The cinematography is beautiful, the visual effects are fascinating, and the production design is smart and advanced. I couldn't understand the use of the Indianized, overdramatic background score. A futuristic and advanced film like The Creator should have been more creative about sound design and the score. Sadly, it felt short there. Gareth Edwards's attempt at modern sci-fi drama may be slow and tedious, but it certainly has its fascinating value. With everything becoming so complicated and smart around us, we are bound to get more and more films that are difficult to understand. Other mainstream superhero and action films will have their loyal fanbase, but we'll need a fanbase for these kinds of brainstorming flicks that grow on you later with their slow burn. As a whole, The Creator lacks pace but not space. It's creatively rich and beautiful, which is enough to grab a hold of it on the big screen.
The Creator Review
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