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Krishna Aur Kans

Krishna Aur Kans
Release Date : 03 August 2012
Year : 2012
Banner : Reliance Entertainment
Director : Vikram Veturi
Genre : Kids | Animation
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Krishna Aur Kans SYNOPSIS

'Krishna Aur Kans' - an animated feature film in 3D is based on the timeless tale of Lord Krishna - one of India's legendary characters from Indian mythology revered across the globe. The film chronicles his early years - from his birth as the nemesis of his evil uncle Kans, to his combat against innumerable lethal demons- who are sent by none other than Kans to kill Krishna. This enthralling film brings to life Krishna's various adventures and miracles in an aim to fulfill his aim on earth - to put an end to evil.

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Krishna Aur Kans REVIEWS

Three Dimensional Visuals, One Dimensional Story...

By MovieTalkies.com, 02 August 2012 1.5 / 5

Krishna Aur Kans 3D Review - In Brief
Director Vikram Veturi and Reliance Animation team up to rehash the age-old Krishna and Kans mythology with a bit of glitz and glamour to turn out India's first full-fledged stereoscopic release.


Krishna Aur Kans 3D Review - Verdict
An archetypal animated kiddie flick, complete with anthropomorphic animals and a cartoon-ish look to the visuals, Krishna Aur Kans doesn't offer much by way of novelty, apart from the well rendered 3D effects.


Krishna Aur Kans 3D Review - Story Plot
By way of story, Veturi is happy to go back to one of the most popular mythological tales in India, that of Krishna and his slaying of his evil uncle Kans. The story begins with a depiction of how crown prince Kans (Om Puri), has taken to oppressing the people of his kingdom Vrishni and the people of Mathura, all in a bid to establish himself as the most powerful ruler in the universe. When his crimes reach their heights, his arch-enemy, Lord Vishnu, vows to be born as Kans' beloved sister Devaki's (Supriya Pilgaonkar) eighth child, and end his tyranny. To counter this, Kans imprisons Devaki and her husband Vasudev (Sachin Pilgaonkar), and kills every child they birth, in an effort to prevent his own slaying. However, as the story goes, Vasudev manages to sneak the eighth child, Krishna (Prachi Save Saathi), out to Vrindavan, to be raised by Nanda (Manoj Bajpai) and Yashoda (Juhi Chawla). After an idyllic childhood, where he still manages to slay demons like Putana and Trinavarta, Krishna returns to Mathura, and fulfils his destiny of slaying Kans.


Krishna Aur Kans 3D Review - Performances
In terms of the voice performances from the cast, it is Prachi Save Saathi who steals the show as the young Krishna, with perfect modulations. Juhi Chawla and Om Puri are the other two big characters as Yashoda and Kans, respectively, and do a fair job, the latter channelling menace perfectly.


Krishna Aur Kans 3D Review - Direction
Veturi's Krishna Aur Kans is a fine balance between dated and cutting edge technology, featuring some of the best 3D effects seen on Indian shores till date, yet packaged in the flat, straightforward flash animation style that can be seen on any kids' cartoon channel every day. In terms of story decisions, Veturi goes into a fair amount of detail about Krishna's run-ins with Kans' demons as a kid, even to the extent of using what can be termed as 'shuddh hindi' for most of the dialogue, but eschews some of the most popular episodes of the mythological tale, like Krishna's taming of Kaliya the snake, and his lifting of Govardhana, instead incorporating them into the many montages that litter the film. The decision is a bit odd on Veturi's part, given that he ill-times the pacing of the film anyway, taking far too long to get to the crux of the story by inserting unnecessary montages and songs, and then rushing through to the final confrontation to just get done with the job. There are a couple of flashes that spark interest, like the black and white sequence of Kans rending a lotus flower, to signify his killing of Devaki's children, but these hopes come to a nought as the film progresses.


Krishna Aur Kans 3D Review - Music
Veturi peppers his film with far too many songs, few of which hit the mark, primarily because of how anachronistic composer Shantanu Moitra makes them sound, occasionally even getting the heavy guitar riff in. One track that must be mentioned though, is the "item number" featuring Putana, sung by Sunidhi Chauhan. The very fact that Veturi manages to fit a song as senseless as this into what is otherwise packaged as a simple children's flick, should tell you something of the commercial interests the film has.


Krishna Aur Kans 3D Review - Final Word
All in all, Krishna Aur Kans can only be watched for the fact that it does bring genuine stereoscopic 3D to the classic Indian mythological tale, and perhaps some of the voice performances on offer. That apart, director Vikram Veturi manages to drag out this affair so much, that even the kids that he's made the film for are liable to fall asleep…

'Krishna Aur Kans' - Too many songs, too little promotion

By Reflections, MovieTalkies.com, 03 August 2012 2.5 / 5

Krishna Aur Kans, an animated feature film in 3D, is based on the timeless and fun filled tale of Lord Krishna - one of India's legendary Hindu mythological characters. Shantanu Moitra composes music while Swanand Kirkire writes. As expected from a kids' movie, there are songs that are mainly situational and actually takes the narrative forward, courtesy meaningful lyrics.

Album begins with Hey Krishna which is sung by Sonu Nigam. Beginning of the song is indeed catchy but still, even with Sonu Nigam and a fun filled story of Krishna which is told, the composer doesn't really get it bang on. A listener would be left wanting for more as the song needed more punch.

Enchanting Flute an instrumental which takes the album forward. The soft and slow music that one hears is very soothing to ears. Performed by Rakesh Chaurasia, the track does well in connecting with the audience. Album moves forward with a Shloka by Ravisankar, Sam P Keerthan, Varaprasad J V and Anand Aravindakshan. It's a devotional track which is situation based and does express the correct emotions. However, even this one doesn't really hold a listener's attention for long.

Shantanu has used the voice of Shravan Suresh (who has earlier been heard in Return of Hanuman and Bhootnath) for Nukkad Wale. From here on, each song depicts different stages in Krishna's life. This is the one which Krishna sings with his friends in early stages of his life. Shravan's voice is suitably used as it has the kind of youthfulness and naughtiness which comes across rather effortlessly. Lyrics are simple and easy to comprehend, hence carrying good potential to be a favourite with the kids.

Natkhat Natkhat is a sweet rendition, again by Shravan Suresh with Swanand Kirkire supporting him. The song explains Krishna's character quite clearly and simply; hence managing to pass on the fun to the listener.

You are reminded of Brij Holi in the next track which is sung by Amitabh Bhattacharya, Abhijeet Ghosal and Hansika Iyer. Titled Holi Hai, it's a very real and authentic depiction of the festival, what with ched-chad and hansi-mazaak being captured in the essence of the song. Lyrics are accurate and take you back to the 'Krishna Bhoomi'.

Next stage of the Krishna's life is captured through the song Roon Ghoona Re. Radha Krishna raas-leela is depicted in this track which is sung by Babul Supriyo and Shreya Ghoshal. A slow paced melody filled outing, it would definitely grow on the listeners.

Shreya Ghosal and Pranab Kumar Biswas come together for Suno Suno Sawaren Ki. It's a song with a classical base to it and manages to touch listener's heart. In fact Pranab's voice takes the song to a higher level.

Shravan Suresh re-enters the scene with Gokul Ki Galiyon Mein. It's a song which, as the title suggests, explains everything that Krishna does in Brij. If picturised well, it should be able to capture the imagination of it's little audience due to funny and naughty actions playing on screen.

Shantanu Moitra brings back the myth of Putana with a Sunidhi Chauhan number where he also joins in along with Tanishtha. A different side of Sunidhi comes out in this track and she does complete justice in actually scaring away kids with her voice.

Sonu Nigam, Hansika Iyer, Amitabha Bhattachrya and Swanand Kirkire come together for Ayega Koi Ayega. Though the song has a pool of talented singers, it still fails to make a formidable impression on the listener's mind. Lyrics elucidate the situation very well but are neither impressionable nor memorable. Composition is average too and does not leave any lasting impression.

For a kids' movie, Krishna Aur Kans' has too many songs out of which a few, if picturised well, could strike a chord with the target audience. Shantanu Moitra's compositions are fine but since this is basically an animation film, chances are bleak that they may find good popularity coming their way.

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