Home > Movies > Once Upon a Time in Mumbaai

Once Upon a Time in Mumbaai

Release Date : 30 July 2010
Year : 2010
Producer : Ekta Kapoor , Shobha Kapoor
Director : Milan Luthria
Genre : Gangsters | Crime
Movie Rating AVG. RATING

Total 0 Ratings

0
Rss

Once Upon a Time in Mumbaai SYNOPSIS

Seen through the eyes of a police officer, 'Once Upon A Time in Mumbaai' traces the changing face of the Mumbai underworld and how it all started. The film, set primarily in 1970 s Mumbai, follows the rise of Sultan (Ajay Devgn), and the conflict, when his protégé Shoaib (Emraan Hashmi), challenges his supremacy, and usurps power to rule the murky underbelly of Mumbai. The film is presented in a retro chic style and is a glamorous and powerful rewind to the golden era.

Once Upon a Time in Mumbaai Posters

Once Upon a Time in Mumbaai REVIEWS

Once Upon A Time In Mumbaai: Delivering Dons!

By MovieTalkies.com, 31 July 2010 3.5 / 5

Bollywood has seen many gangster movies being made, many by that master of the genre, Ram Gopal Varma. However, Milan Luthria's 'Once Upon A Time In Mumbaai' goes back to when it is supposed to have started, a time when it was more about smuggling and not so much about extortion and arms as it has become today. Luthria's movie which has been produced by Ekta Kapoor's Balaji, recreates an era and time without going too much into historical details. According to sources, the two gangsters in the movie are based on the real life characters of Haji Mastan and Dawood Ibrahim. While this may, or may not be fully correct, the film does showcase a certain era in crime and how it finally gets eclipsed, which kind of is the story of the era of Haji Mastan and the rise of the successor, Dawood. Luthria manages to recreate that era beautifully with apt dialogues, a wonderful screenplay and some heartfelt music. The film basically captures the rise in power of one Sultan Mirza (Ajay Devgn) as the lord of the underworld and the conflict that follows when his own protégé Shoaib Khan (Emraan Hashmi), challenges his authority. Surprisingly, for a film which is based on the underworld, there is very little of actual bloodshed! Luthria does not seem to believe in going down that route. Instead, he takes the time and leisure to recreate the era through song-and dance numbers, cabarets and smuggling acts on celluloid. The USP of the movie is definitely its writing, courtesy Rajat Aroraa. It manages to weave a magic of its own which is quite unique, making questions of whether the film is based on actual facts or fiction seem quite irrelevant. The film's story is narrated by a cop, played by Randeep Hooda, who brings out the changing face of crime in Mumbai and its underworld. Luthria seems to have truly matured as a director with this film. It is praiseworthy, the manner in which he manages to tell this story of the underworld with so much restrain and delicacy and make it as much about human emotions and power play. The film proves to be an intensely satisfying experience. Much of the credit for that should also go to the art director, Nitin Chandrakant Desai as well. The retro look and feel of the movie needs to be credited to him. But one of the major highlights of the movie is its dialogues. This is a movie which has the kind of dialogues that one was used to hearing in films of the seventies. That single masterstroke by Aroraa and Luthria really lifts this movie. Music composer Pritam also chips in with some lovely melodies. The 'peey loon' number especially is outstanding. Cinematographer Aseem Mishra is quite excellent and completes the retro feel and look. 'Once Upon A Time In Mumbaai' is ultimately about the two characters, Sultan Mirza and Shoaib Khan. Both the actors, Devgn and Hashmi turn in brilliant performances in their respective roles. Devgn, who has been doing a lot of light comedies these days, surprises once more with his intensity and the ease with which he essays a character like Sultan Mirza. It says a lot for his focus and intensity that he is able to convey volumes with just a gesture or a look. Hashmi is perfectly cast as the wannabe, over-ambitious successor. The actor manages to convey that wild, hungry streak to perfection in the movie. The two actors are extremely well supported by their female counterparts, Kangana Ranaut and Prachi Desai. Both girls turn in very natural performances. Also what is most interesting about the movie is the chemistry between the two pairs, Devgn-Kangana and Emraan-Prachi, which makes the love stories come truly alive. This obviously works very well for the movie. Hooda is very good as the cop and manages to make his presence felt among the Devgns and Hashmis. 'Once Upon A Time In Mumbaai' is the kind of movie which remains memorable for the manner in which it tells its story as much for the story itself. Unlike most gangster movies, this is not a movie which is anchored in blood and gore but on emotions as well, which is why Luthria's film captures the minds as well as hearts. It is not just an exercise in nostalgia, but much more as it manages to engage and keep one hooked through its entire duration. One complete entertainment package. Go, grab your gangsta thrills!

Once Upon A Time In Mumbaai: Pritam's Retro Fever Catches Up!

By MovieTalkies.com, 29 July 2010 3 / 5

Bollywood has always been fascinated by the underworld and director Milan Luthria's 'Once Upon A Time In Mumbaai' is yet another film on the same theme. The movie which has been produced by Balaji, comes with a lot of buzz attached to it. This is a movie which is set in the seventies, when the gangster cult had just about begun in Mumbai and the makers are believed to have done a lot of work on recreating the bygone era in the movie. The film has an impressive star cast in Ajay Devgn, Emraan Hashmi, Kangana Ranaut and Prachi Desai. The film's music has been composed by Pritam, while the lyrics have been written by Irshad Kamil. There are nine tracks in the album, five of which are original. As expected, Pritam rises to the occasion once again and delivers a score which is melodious and quite memorable. The opening track of the album is 'peey loon' and has been sung by Mohit Chauhan. Pritam has always reserved something special for this singer and he does that with this number as well. 'peey loon' is an outstanding number and has been sung with great feeling by Chauhan; a number which is bound to be topping the charts very soon with Chauhan's silken chords weaving a wonderful romantic magic. Kamil's lyrics are refreshingly different and the number forms a perfect blend of music, lyrics and appropriate vocals. The number begins with a slight classical touch before Chauhan's vocals make an appearance on the scene. It is a terrific start by Pritam. The second number on the album is 'tum jo aaye' sung by Raahat Fateh Ali Khan and Tulsi Kumar. Both singers combine very well in this romantic duet which has a certain 'quawali' touch to it without actually being one. It would not be unfair to say that Tulsi manages to more than hold her own against an accomplished singer like Raahat. This number occurs once more in the album, this time as a solo by Raahat. This number proves to be a winner as well. The third number on the album is 'I'm in love' sung by Karthik. This has two more versions, both of which have been sung by KK and Dominique. The lyrics of this number have been written by Nilesh Mishra. While Karthik does a good job with his solo version, it is really KK who manages to steal the show with his version, supported by Dominque. He really lifts this melodious number to another level altogether, in yet another inspired outing by Pritam. The fourth number is called 'parda' and has been sung by Sunidhi Chauhan and Rana Mazumder. This is a number which has been inspired by the famous Seventies cabaret number, 'duniya mein logon ko' from the Rajesh Khanna-Mumtaz starrer 'Apna Desh'. The basic premise of the original is maintained, right down to the famous refrain of 'Monica, O my darling'. It's in the second stanza that the 'parda' number begins. Pritam stays absolutely faithful to the cabaret style of the seventies and 'parda' turns out to be quite an interesting outing. The fifth and final number on the album is called ' Babu Rao' and has been sung by Mika with lyrics by Amitabh Bhattacharya. This is Pritam's version of the typical 'tapori' number in a gangster film. The song seems a little out of place after the beautiful melodies that have come before and therefore takes some getting used to. But, by itself, it is a fairly decent number which has been sung well by Mika. But it's definitely not showstopper material like some of the other songs in this album. With 'Once Upon A Time In Mumbaai', Pritam has come up with yet another magical score. Each of the numbers in this album is above average, with at least the first four being definite chartbusters. Pritam and Kamil combine very well yet again and the result is out there for everyone to see and hear.
Title of your Review
Your Review

Once Upon a Time in Mumbaai Comments

Once Upon a Time in Mumbaai theatrical trailer

No Theatrical Trailer is available!

Like Once Upon a Time in Mumbaai

Once Upon a Time in Mumbaai Fans

Browse Movies # A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
© 2013 Movie Talkies.com. All rights reserved.