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Lafangey Parindey

Release Date : 20 August 2010
Year : 2010
Banner : Yash Raj Films
Producer : Aditya Chopra
Director : Pradeep Sarkar
Genre : Romance
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Lafangey Parindey SYNOPSIS

A dash of style with loads of attitude and a hunger to reach the stars, Lafangey Parindey is about a group of youngsters living in the backstreets of Mumbai. It is an unusual love story of Nandu (Neil Nitin Mukesh) and Pinky (Deepika Padukone) whose path to love is paved by friendship, grit and hope. He is wild. He is born to fight. He is One Shot Nandu. For the raw, champion street fighter, one shot is literally what it takes. Absolutely wild, fierce, and hungry to win, this fighter takes boxing to a new level by knocking down his opponents BLINDFOLDED. Needless to say, One Shot lives life on his own terms and is a local hero amongst his friends. But all that soon changes, when he meets Pinky Palkar. She is blind. She is born to fly. She is Pinky Palkar. A unique girl, a powerhouse of talent! On one hand she works at a regular, boring 9 to 5 job at a mall but on the other hand, she is a kickass dancer on skates! Strong headed, talented and fiercely ambitious these traits make up Pinky Palkar's deadly personality. Her life's ambition is only one to rise above all the 'losers' living in her locality and carve a niche for herself. She will use her talent to show the others that she can win in life. There is only one, tiny, obstacle… She is blind. Lafangey Parindey. Two different personalities. Two different lives. Destined to meet. Set in the grungy streets of Mumbai, Lafangey Parindey is an unusual, edgy love story about the never say die spirit even when your last chip is down. It is an intriguing journey of a blindfolded street fighter and a blind dancer who, along with four friends, set out to achieve the impossible. Born wild, will one shot Nandu ever learn to love? Born to fly, will Pinky Palkar ever learn to see?

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Lafangey Parindey REVIEWS

Lafangey Parindey: Blind Eyes Success!

By MovieTalkies.com, 21 August 2010 3 / 5

Pradeep Sarkar's third outing, 'Lafangey Parindey', may have a rather gritty setting and seem far removed from his previous two films, but the director retains his ability to impact and move his audiences, though in not such an ambitious manner as in ''Parineeta or 'Laaga Chunari Mein Daag'. 'Lafangey Parindey' is a conventional love story, told well. The other surprise that the film springs is in the performance of its lead players, Neil Nitin Mukesh and Deepika Padukone. Neil, who arrived with a bang, was quite a disappointment in his last few films, like 'Jail', for instance. But he seems to have really worked hard on this film even though he may not actually look like a 'tapori' that he plays in the movie. The film also sees a much improved Deepika, as well. It's probably the Sarkar touch! That touch extends to the skillful manner in which he tells this rather simple tale which is set in a typical Mumbai chawl. The film may not be quite flawless as one is wont to expect from a seasoned player like Sarkar, but he manages to pull it off quite well. 'Lafangey Parindey' is the love story of Nandu (Neil) and Pinky (Deepika). Nandu, or one shot Nandu as he is known, makes his living in the boxing ring, where he deals with lethal blows blindfolded. Nandu is patronised by the local don, played by Piyush Mishra. Pinky, on the other hand, is a very ambitious young girl who works in a mall by day and has dreams of making it big with her dancing skills on roller skates. A terrible accident, which leaves Pinky blind, yokes both their lives together. The love story unfolds and plays out in the second half of the movie, while in the first half, the director lays out the premise superbly. The introduction scenes of both characters has been done really well and one is immediately hooked onto the narrative. The accident, which is repeated from the perspective of both characters is among the many engaging scenes that Sarkar manages to create in the movie as also the skating sequences, specially towards the climax, which take place in a television reality show. One of the very good things about this film is that the director manages to keep things simple and sticks to his trajectory, without shooting aimlessly. The focus is Nandu and Pinky and 'Lafangey Parindey' is their story from the beginning to the end. The only place where the film seems to meander a bit is the sub plot about the investigation. But the director manages to tie that up quite well into the climax of the movie. It gives the necessary emotional impetus to the confrontation scene between Nandu and Pinky, when she discovers that he is the man responsible for the accident. Of course, the confrontation scene could have been raised to a higher emotional pitch, but probably the director was handicapped here slightly by his actors, neither of who is known to be a great performer. The choice of Neil for the role of a 'tapori' may have seemed like a drawback but the actor tries really hard to get into the physical aspect of the role. He may not fit the bill of a 'tapori' appearance wise, but he gets the emotional graph of his character absolutely right and turns in a solid performance. Deepika, seems to be getting better with every film that she does and is very refreshing as Pinky. She seems much more comfortable in the emotional scenes and carries them off quite well. Among the other actors, the one who stands out is Mishra. He is just amazing as the local 'satta' don. Kay Kay Menon is bumped off to early into the film and hardly gets an opportunity to do anything. Among the many 'tapori' friends of Nandu and Pinky, Namit Das is quite impressive. The film's music has been composed by R Anandh, and is unconventional but quite pleasing. However, it's not the kind of score which is likely to get very popular. The film's production values are quite impeccable. The detailing, the cinematography, the choice of colours, the characters, everything is exactly what one would expect from Sarkar. He may not have made a great film, but he has definitely redeemed his reputation as a skilled storyteller. With 'Lafangey Parindey', he has managed to keep his audiences hooked onto the story of Nandu and Pinky and one comes back feeling quite satisfied.

Lafangey Parindey: Magical Melody, Tuneful Tracks

By MovieTalkies.com, 03 August 2010 3 / 5

After the release of 'Laaga Chunri Mein Daag', director Pradeep Sarkar, who's been lying low is back with his next venture, titled 'Lafangey Parindey'. The film which stars Deepika Padukone and Neil Nitin Mukesh, sees Sarkar move away from his usual composer Shantanu Moitra and utilise the services of R Anandh, while the lyrics have been penned by Swanand Kirkire. The album has seven songs, six original and one remix. Talking of Sarkar, the film also sees the director shift his focus away from traditional subjects which has been his forte, to something very youthful and very urban with 'Lafangey Parindey'. Perhaps, that is the reason why Sarkar opts for a new composer, thus even helping himself to break free from old boundaries. The album begins with the title track, 'lafangey parindey' sung by Ronit Sarkar. This is a number which has some unusual music and lyrics. The feel of the music is very Western, more the soft rock kind of approach. Sarkar does a very good job with the number as he manages to convey a certain kind of attitude. The number is catchy but it is likely to appeal to a niche audience. The second number on the album is called, 'man lafanga' and has been sung by Mohit Chauhan. The singer invests the song with his quintessential touch, thus making the number one of the highlights of the album. The song has a melody which falls very easily on the ears. It is a treat to hear the manner in which Mohit intones the title of the number, 'man lafanga'. There is a lovely languorous quality to the number which is imparted by the singer. The minimal use of instruments and the simple yet telling words add to the effect of the song. It should be a treat to watch how Sarkar has filmed this number. This number has a club remix (joshilay) as well, which occurs towards the end of the album. 'Dhatad tatad' is the third number on the album which seems to be Anandh's version of the quintessential 'tapori' number. The number which has been sung by Shail Hada and Anushka Manchanda, is catchy and seems to have the makings of a popular number, with its pace and energetic rendition. The fourth track on the album is 'nain parindey' which has been sung by Shilpa Rao. This is a much more pensive number and Shilpa's vocals adapt themselves very well indeed to the requirements of the number. She manages to bring out the poignant quality hidden in the lyrics to the fore with her rendition. The number manages to make quite an impact on the listener. The fifth number on the album is 'rang daalein' which has been sung by Suraj Jagan. This is a song which is all about attitude and the composer takes recourse to the rock genre to express the free flowing spirit behind the number. Obviously, these days it is difficult to think of rock in Hindi film music and not think of Suraj. The singer, who after years of struggle, is finally being heard all around, does a very good job with the number. He slips into the number with ease and fulfills the song's demands perfectly. This is a number, which like 'man lafangey' before it, expresses the urban, youthful voice of the film's protagonists. The sixth and final track on the album is called 'born to fly' and is an instrumental number, which is quite international in its theme and feel. The piece is quite expressive and quickly shifts from one mood to the next. It starts on quite a pensive note, moves into strains of full bodied happiness and then the fun element creeps in with the strains of 'dhatad tatad'. The violin and the guitar have been used expertly by the composer to denote the change in moods in the piece. The short piece has been well constructed and manages to encompass the entire feel of the movie. The music of 'Lafangey Parindey' by Anandh seems to succeed at its job of providing a different sound to the entire movie. The feel is very non filmi and each number, while taking off on the 'lafanga' or 'parinda' bit, sounds different and offers a unique vista into the restless, urban mind. While the Mohit number is definitely the highlight of this album, the other numbers too have what it takes to become popular as they are all easy on the ears.
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Lafangey Parindey TRIVIA

During the shooting of the film ‘Lafange Parindey’, Deepika Padukone performed some of the most daredevil stunts without using a body double. She had to fall into a deep and muddy pit and the pit was so deep that only professional divers would have to get her out once she jumps. Everyone on the sets, including her co-star Neil Nitin Mukesh and director Pradeep Sarkar told her not to perform, but Deepika insisted and performed the stunt without a body double. She plays a tom-boy in the film and will be seen wearing a leather jacket, denims, riding bikes, etc.

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