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Tum Milo Toh Sahi

Release Date : 02 April 2010
Year : 2010
Banner : Fourth Wall Entertainment
Producer : Nikhil Panchamiya
Director : Kabir Sadanand
Genre : Drama | Romance | Family
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Tum Milo Toh Sahi SYNOPSIS

Tum Milo Toh Sahi is not just a romantic comedy… it is three unique romantic stories in one. Set in modern day Mumbai, with all the demands and pressures of city life, the film weaves together the lives of three couples who connect with each other through a series of touching and hilarious moments, sometimes just over a simple cup of coffee. It is about the meeting of souls (Nana Patekar and Dimple Kapadia), the meeting of minds (Suniel Shetty and Vidya Malavade) and the meeting of hearts (Rehan Khan and Anjana Sukhani), underlining that love is the driving force in people's lives, irrespective of age… from school kids to the youth of today, from people in their mid lives’ crises to those who are sixty plus. The journey of life slowly aids the discovery of love in all its different shades and hues, at different stages; it brings with it the bitter, the sweet and sometimes the spicy, making life worth living. Tum Milo Toh Sahi is a film about human victory, when ordinary people come together to combine their strengths and stand by what they believe in. Come rediscover love in the wonderful journey of Tum Milo Toh Sahi. Let’s meet at a cinema near you.

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Tum Milo Toh Sahi REVIEWS

Core Connection!

By MovieTalkies.com, 01 April 2010 4 / 5

They say that when you do something from your heart, the results are always fulfilling and positive. And there could be no better example than director Kabir Sadanand's 'Tum Milo Toh Sahi' (Fourth Wall Entertainment). Produced by Nikhil Panchamiya, the film comes straight from Kabir's heart and connects with the hearts of the audiences. No matter what stage of a relationship you are in, no matter what your age or background, you will instantly identify with at least one of the characters in 'TMTS', although chances are you will identify with more than just one. Kabir proves that simplicity when combined with a tight screenplay, great performances and the right message can truly create entertaining cinema meant to be enjoyed with your loved ones. A simple story based on relationships, 'TMTS' looks at the meeting of souls, the meeting of minds and the meetings of hearts and how each individual and their relationship impacts and influences the people around them. To clarify, Kabir Sadanand's movie is not about three individual stories or romantic tracks; it is a film in which all the characters are connected; their relationships are multi dimensional. And 'TMTS' spotlights as to how they all come together to save something of immense importance to each of them, albeit each for very different reasons. In the process what they discover about love, relationships, life and more importantly… what they discover about… themselves is what makes the film so easy to connect with. The film's heart lies in its screenplay, which amidst sharp humour is laden with subtext which is thought proving and also strikes an emotional chord. Each of the characters is extremely well etched out which in itself is an amazing feat, considering that there are six primary characters. However, what enhances the screenplay even more is how Kabir has used a slightly varied colour palette for each of the couples along with a subtly different treatment through the camerawork to give further depth to each character. Director of photography Pushan Kripalani proves that he is great technician as he uses colours and movement to add life to the screenplay and characters. Each of the performances stand out, right from veterans Dimple Kapadia and Nana Patekar to the seasoned Suniel Shetty and Vidya Malavade and the youngest pair, Rehan Khan and Anjana Sukhani. Dimple plays Delshad, a Parsi woman who runs an Iranian coffee shop with such perfection that you cannot imagine any other actor in the part. Apart from perfect timing in the humourous scenes, Dimple manages to bare the emotional undercurrent simmering under Delshad's psyche. Cast as Subramanium, a retired lawyer with a slightly cynical take on today's generation, Nana Patekar is a refreshing change from what we normally see; he adds multiple layers and depth to Subi which make him seem so real. His timing and chemistry with Dimple reaffirms their screen magic, whenever they work with each other. Upper middle class families will swiftly identify with Suniel Shetty's character, a persona with gray shades to it. Suniel's portrayal of Amit is one of his finest, till date. Vidya Malavade proves that she is a powerhouse of talent, especially in the emotional and dramatic scenes, which she handles with such élan. As Anita, the working mother who balances her professional and married life, Vidya slips effortlessly into character with such ease, that you wonder why you don't get to see her in more films with scope for performance, given her range of acting skills. The finest discovery of the film, however, comes in the form of…. Rehan Khan, truly the new Khan on the block! Enacting Bunty, Rehan is loveable and cute and he makes the character one which you instantly fall in love with and take away with you, even post the film. Rehan infuses the perfect amount of innocence to Bunty, while yet making him stand his ground and stick to his beliefs while fighting for what he feels is right. A fine performer who also shows off his amazing dancing skills, Rehan handles the comic sequences as well as the emotional ones with the maturity of a seasoned performer. To match acting honours with Nana Patekar and Dimple Kapadia is no small feat, and yet Rehan handles his scenes with them unfazed. He's surely an actor to watch out for. Anjana Sukhani looks her best on screen since 'Salaam e Ishq' and displays her ability to portray a character like Shalini with conviction, given her spunk and feistiness. As a director, Kabir Sadanand has grown leaps and bounds since his debut film 'Popcorn Khao! Mast Ho Jayo'. Kabir emerges as a fine story teller who knows how to derive the best from his technicians in order to support the screenplay, while also extracting the finest performances from his actors. Kudos to Kabir for tackling such a challenging story with multiple characters and pulling it off without a hitch. 'Tum Milo Toh Sahi' is not a gimmicky film, nor does it preach. It just unspools a story which leaves a great feeling inside, puts a smile on your face and fans the desire to reconnect with some of the people you may have lost touch with. Go, meet.

Tum Milo To Sahi: Tuneful, Soulful Meeting…

By MovieTalkies.com, 13 March 2010 3 / 5

It's gearing up to greet audiences. 'Tum Milo Tum Sahi,' directed by director Kabir Sadanand, seems to be an interesting movie about relationships. The director has managed a casting coup in managing to rope in Nana Patekar and Dimple Kapadia together in the movie, making it an outing to watch out for, since they've given dynamic performances together in 'Prahaar' and 'Krantiveer'. The talented duo is supported by Suniel Shetty, Vidya Malavade, Rehan Khan and Anjana Sukhani. The music of this album has been composed by Sandesh Shandilya, while the lyrics have been written by Irshad Kamil. Refreshingly, the album consists of six original tracks with no remixes! The album begins with 'tum milo to sahi,' the title track which has been sung by Shaan, who enhances the song with his vocal pyrotechnics and the passion that he imparts to the number, especially the manner in which he pitches the title refrain. The second number on the album, 'o jaanemann' sung by Raghav Sachar, is quite an enticing number, It has a slow beginning and uses the title as a refrain before taking off. Sachar does a brilliant job with this number and it definitely stands out for the manner in which it has been sung and its simple and touching lyrics. Sung by Kunal Ganjawala, 'bekhauf mohabbat' is the third track on the album, really makes one sit up. Shadilya makes a very interesting choice by making Kunal Ganjawala sing a 'ghazal'. The singer does sing it mostly in his style, though managing to instill a certain stillness in the number, as well. Ganjawala's unusual voice for the Urdu laced song makes for very interesting hearing. In fact, Ganjawala not only surprises in the number, he also manages to delight with his unorthodox rendition. A major strength of the album is that it's sung with a minimum of instruments. In 'chal haath mila', Sukhwinder Singh gets a rather typical number to sing. It's almost an anthem like song. Sukhwinder gives it an energetic and robust rendition and fulfills the demands of the number well. However, this is not a number which is likely to hit the charts, even though it may fit quite well into the particular sequence of the movie. The next number on the album is called 'loot' and has been sung by Dominque Cerejo. It is a fast paced, fun, carnival style number and the singer does a great job of it, as the Western style instrumentation and style of singing suits her voice well indeed. The song is quite catchy and grows on one, as it progresses. The last number on the album… 'I am bad' has been sung by Sunidhi Chauhan and Ganjawala. Sunidhi does her usual stuff and there are no surprises sprung by her. But she gives a meticulous rendition along with Ganjawala and gets into the mood of the song pretty well. This is also a fun track and has a certain sixties feel of music, which has been weaved in expertly by Shandilya. The effect is quite catchy. Shandilya does a super job with the music of 'Tum Milo To Sahi'. He doesn't play to the gallery or resort to clichés, instead, he uses his ingenuity and abundant talent to come up with a score which is refreshingly different and a treat for the ears. He mixes styles and genres seamlessly and his score can, at best, be called contemporary. Music, which merges soul with style. Meeting… musically.
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