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Teen Patti

Release Date : 26 February 2010
Year : 2010
Banner : Serendipity Films
Producer : Ambika Hinduja
Director : Leena Yadav
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Teen Patti SYNOPSIS

Set in India and England, and starring two of the greatest living acting legends of our times - czar of the Indian film industry, Amitabh Bachchan and Academy Awards Winner Ben Kingsley - Teen Patti is an emotionally riveting and razor sharp thriller about greed, deception and giant feats of imagination. Relayed against the backdrop of modern India - made internationally beloved following the success of Slumdog Millionaire, Teen Patti is one of the most fascinating new films to emerge from Asia, its themes and narrative are so profoundly particular to India that it is ultimately transcendent and therefore universal in its appeal. Ben Kingsley, who essays Perci Trachtenberg, widely regarded as the word's greatest living mathematician, meets Venkat, played by Amitabh Bachchan, a reclusive math genius from India, at a high rolling casino in London. Venkat tells Perci about an equation that could not only change the dialogue on mathematics forever, but one that has already left an indelible impression of guilt - for many painful reasons - on Venkat's life. As it turns out, the reclusive genius Venkat has cracked a theory that could redefine the principles pf probability and randomness. However, as with all exceptional knowledge, his equation has its upside - as well as its dark underbelly. Aware that he is on the precipice of an extraordinary discovery, one that could find applications across various sciences, Venkat is encouraged to test his theory in the real world by professor Shantanu essayed by Madhavan (the super star from South India), an ambitious colleague of Venkat. Although Venkat has no interest in the money that could come from practicing his equation to crack Teen Patti, (a poker game) which could rake in all the moolah, he eventually succumbs to Shantanu's charismatic persuasion. Soon, with the help of a few students, each with a complicated and singular fate of their own, they explore the addas (underground gambling dens) of wild Bombay, and a series of edge-of-your-seat escapades keep the film moving faster than a bullet. But what starts out as an experiment between a charismatic young professor and an eccentric older one soon descends into a game neither of them can control. When their lives sink into maddening chaos, the greed and desperation that had fueled them on can no longer save them. As the film, super-slick and fast-paced, follows the escapades of each of the characters, all their lives secrets are laid bare, their motives exposed, and the darker side of the human heart illuminated with strobe lights of avarice and desperation. A tragedy occurs, which then sparks an investigation that not only threatens to destroy the careers of both Shantanu and Venkat but also eats into the very moral fiber of each of their being. Now the film oscillates back to the casino in London. Convinced that Venkat's discovery has the originality and significance to change the narrative arc of mathematics, Perci understands that Venkat's theory in essence, questions the idea of what is random - and what fated. A surprising and deeply moving redemption, initiated by Perci, closes this stupendously modern film that is as much about the private equations of honor and change, and about knowledge that can change the world. But what if the price of this knowledge is life itself?

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Teen Patti: Stylish Ace, No Trump Card!

By MovieTalkies.com, 27 February 2010 2.5 / 5

Leena Yadav's 'Teen Patti' is an extremely stylish film, very slick and all of that. But somewhere down the line, the film loses out on its content and all that slickness doesn't amount to much. But to give the film's its due, despite its resemblance to '21' from Hollywood, 'Teen Patti' has an interesting premise, revolving around greed and its pitfalls. But the story loses some of its sheen when being translated on screen. There are parts of the screenplay which are quite unclear. One is never really sure what this probability theory is, that the Professor discovers, which helps him rake in all the moolah at the gambling joints. Some figures and equations popping out of his head, don't really explain anything. Secondly, despite all the noise, there is really no proper interaction between Sir Ben Kingsley and Amitabh Bachchan. In fact, the Big B seems to be doing all the talking, or at least most of it, and Sir Ben, is wasted in a role which has him nodding his head in silence for the better part. So yes, the two great actors share screen space, but there are no firecrackers. Sir Ben's presence is proof of a sheer waste of talent. Why have him in the first place, one wonders? What could have helped the movie's cause would have been a better written screenplay. Anybody who has the least interest in Maths would not even have a clue as to what the film is talking about. It helps a film's cause if it is accessible to all. The film's story revolves around an eccentric maths professor, Venkat (Amitabh Bachchan), whose research papers keep getting rejected by the dean (Barry John). One day, while playing a game of 'teen patti' online, the prof realises that he can predict the winner. Something to do with probability. This time, however, a young professor, Shantanu (Madhavan), encourages him to test his theory in real life. While it is all maths for Venkat, Shantanu has an ulterior motive as he is in desperate need of money. So, armed with a bunch of students, the two professors go out into the gambling dens in seedy localities, test their theory, and come out winners. It all starts out as a game, at least for Venkat, but it soon slips out of hand. Blackmail and intrigue make their way into the plot and one of the student ends up committing suicide, which signals the end of the game. The narrative moves constantly from the past to the present as Venkat's character is seen narrating the story to Sir Ben's character. The first half of the movie moves well, with Yadav deftly steering the narrative by building up the mystery about the telephone caller. But in the second half, the film tends to get repetitive with most of the characters still inhabiting the gambling dens. The climax, when it comes, seems to be a hurried affair. The writers, Yadav and Shiv Subramanyam can take credit for the uneven quality of writing which lifts the film only in places. In this, her second outing, Yadav displays her skill in a lot of sequences even though she fails to steer the film successfully in the second half. But technically, the film is quite sound, as Aseem Bajaj's cinematography is a treat. The ambience created by the screenplay and the cinematography is superbly enhanced by Salim Sulaiman's music. Amitabh Bachchan plays the role of the maths professor with total ease and confidence and does a competent job, as always. His acceptance speech at the award function, one of the hallmarks of most of his roles, is quite outstanding and very moving. It's amazing, how he can still continue to move us to tears or joy with his rich baritone. The Big B is well supported by R. Madhavan, who plays his flawed character quite well. Sir Ben, of course, makes up for a lack of a role with his sheer charismatic presence and leaves one wanting more. But the real surprise of the film are the four youngsters, who impress with their confidence in front of the camera. Shraddha Kapoor, Vaibhav, Siddharth and Dhruv stand their ground amid the veterans and acquit themselves very well indeed. As for the rest of the cast, Barry John is impressive and so is Mahesh Manjrekar. As for Ajay Devgn, Jackie Shroff, Tinnu Anand and Shakti Kapoor etc, they hardly have anything much to do. On the whole, 'Teen Patti' scores on style, but fumbles on content.

Teen Patti: Tuned To Theme...

By MovieTalkies.com, 25 February 2010 2 / 5

'Teen Patti', director Leena Yadav's second venture ('Shabd' being the first) and Ambika Hinduja's maiden production has earned a fair share of the media spotlight. The film has been in the news due to its casting coup of Amitabh Bachchan and Sir Ben Kingsley, and the very talented young crop of actors, which includes Shakti Kapoor's daughter, Shraddha. 'Teen Patti' promises to be a thriller, hence one is not sure how important a role music plays in the proceedings. The film's music has been composed by Salim Sulaiman and consists of five tracks and their remixes, three of which have been written by Irfan Siddiqi and one by Asif Ali Beg. The album begins with the number 'neeyat' which has been sung by Sunidhi Chauhan and shows up as a remix as well, where Abhijit Vaghani joins the female singer. But first for the original, which has a languorous and seductive feel to it which is accentuated by Sunidhi's throaty vocals. The song has been doing the rounds along with the film's promos, and the visuals also play up on this element of the song. Undoubtedly, Sunidhi is the best choice for this song and she does full justice to it. The remix version has Vaghani joining forces with her in a version which has a generous sprinkling of English (courtesy Ajinkya Iyer). The second number on the album is called 'intezar,' which has been sung by Naresh Kamat of the 'Kailasa' band. He is supported by brother Paresh Kamat on the guitar and by Gino Banks and Darshan Doshi on the drums. The number has a distinctive Western feel to it and Naresh's vocals and style fit in rather well with the song's ambience. The song takes time to sink in, but once it does, it proves to be a very pleasant outing indeed. It may not be the chartbuster number of the album, but it is definitely special and will manage to create its impact. On show is the virtuosity of both, Paresh and Naresh. The title track, 'Teen Patti', which has been expertly rendered by Salim Merchant occurs next. This is a perfect title track as the words of the song liberally use words related with the game of 'teen patti' like 'ikka', 'badshah' and 'ghulam.' The composer does a great job with the number and the music of the track is such that it captures the thrill and tempo of the game. This is definitely one of the better songs in the album, even though it isn't exactly catchy. The fourth song of the album is called 'Life Is A Game' and has been written and sung by Sonia Sehgal, with Anushshka Manchanda joining her in the remixed version. The song, which has been written by Beg, has both an English as well as a Hindi version. It is more in the nature of a theme track, which is likely to run in the background. The track has a slightly mysterious or eerie feel to it brought upon by the use of the violin. The musical journey of 'Teen Patti' concludes with a brief number, 'Summertime' sung by Joe Alvares and composed by George Gershwin. This track, like all the other tracks in the album, only reinforces the Hollywood flavour of the film as well as the film's theme. The songs in 'Teen Patti' haven't been used in the predictable Hindi film format, but seem more like they were tailored for a Western experience. Most of the songs are situational and are there primarily to take the narrative forward. Salim Sulaiman have followed their brief to perfection and have composed a score which carries the flavour of the film's theme. The numbers make for good hearing; however, barring a couple, they are neither very catchy or the kind to elicit an immediate response. Rather, they are the kind of song numbers which will go down best while watching the movie. On their own, they are passable, but are truly enhanced by the visuals. In a way, the success of the songs also depends largely on how the film fares. Ace effort, though trump card or not, remains to be seen.
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Teen Patti TRIVIA

The film 'Teen Patti' is inspired from the Hollywood film '21' where a math professor tutors 5 of his best students for a high-stake gambling game.

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